ALEXANDER SOKOLOV


Hi there!
I’m a Sound Editor based in Moscow, Russia.

I’ll be happy to help you with sound design for your Film, Television, Web, VR or AR project!

I’ve been involved in a number of famous projects since 2002, such as “A Good Man” “Interns”, “Russian Affairs“, “The Geographer Drank His Globe Away”, “House Arrest”, TV shows for Channel One Russia2х2Match TV. I did the sound design for animation works360 videosVR and AR projects. And of course, I’ve done a lot of trailersshort films, commercials for such brands as Subaru, Mazda, Seagate, Rostelecom, Mastercard, Nornickel, H&S, CGF, K&K Group, TvoyDom, Baltika 7, 2×2 etc.

Education:
VGIK Gerasimov Institute of Cinematography
– Film Director in Cinematography and Film/Video Production (2014)
Moscow State Industrial University (Moscow Polytech since 2015)
– Computer Programming and Economics (2005)

Side projects:
Spatialsound.ru – spatial sound works
Audioplugin sales – Telegram group about audio software sales

SERVICES


My main fields of work are Dialogue Editing, Sound Design, Re-Recording.
Also I work with Spatial Audio formats for 360 degrees video and VR.
Able to work within tight budgets and deadlines.
I understand the whole video and film production workflow from screenwriting to color grading and DCP creation.

With advanced Moscow-based specialists and studios, it’s possible to create great-quality sound for film. Even with dialogues recorded on location and surround or spatial mix. For example, the “Night winter people” short film – is 5.1 project, without any ADR recordings, re-recorded in Cinelab Soundmix studio (It is automatic stereo downmix sound on youtube).

There are some examples of my ambisonic for 360 degrees video works (use headphones and HMD for the best experience):

GEAR


I built an isolated and calibrated control room with TC Electronic Studio Konnekt48, THX-sertified monitors Mackie HR624 and additional Genelec 8010A monitors for surround editing. Also I have a couple of MIDI controllers and some professional headphones (Sennheiser HD600Sony MDR7506, etc.).
For surround re-recording I prefer to work in top-quality studios, such as Mosfilm or Cinelab Sound Mix.
Software:
Pro Tools Ultimate
iZotope RX Post Production Suite the best software for sound restoration and some great mixing tools
FabFilter – very powerful equalisers, compressors, limiters, etc.
The Cargo Cult – software for panning, delay effects, reconform
Waves Diamond bundle – various useful plugins
Also I use some of SoundtoysAudio EaseZynaptiq, PSPaudiowareMelda ProductionMcDSP, Eventide Audio, etc. plug ins.
Field Recording
Sennheiser AMBEO VR Mic with Rycote windshield- my main microphone for ambisonic recordings.
LOM MicroUsi Pro with wind protection and LOM Geofon
Zoom F6 Recorder – 32bit/192kHz 6-channel recorder with ambisonic decoder.
I also rent any professional gear I need: all the microphones (Schoeps, Neumann, Sennheiser, Sanken, Nevaton, DPA and so on) and recorders (Sound Devices, Zaxcom, Aaton etc.) are availible.

PROJECTS


ТВ «Tutureal» (2019)
ambience SFX, foley recording / editing, mix (re-recording) stereo, production sound cleaning, sound design
Матч ТВ (2016)
ADR / VO recording, ambience SFX, mix (re-recording) stereo, production sound cleaning
Интерактивные, рекламные проекты
ADR / VO recording, foley recording / editing, mix (re-recording) 5.1, mix (re-recording) stereo, sound design

CONTACTS


TEL: +7 926 522 9896
WHATS APP, TELEGRAM

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