I now work in a mobile setup with calibrated Neumann KH-120A monitors, an RME BabyFace Pro FS.  Also I have a pair or Genelec 8010A, a couple of MIDI controllers and some professional headphones (Sennheiser HD 600, Sennheiser HD 25 Sony MDR7506, etc.) calibrated with Realphones. I also have the capability to work in surround (and maybe Atmos) if needed.

Previously, I built an isolated and calibrated control room with TC Electronic Studio Konnekt48, THX-sertified monitors Mackie HR624 and additional Genelec 8010A monitors for surround editing.
For surround re-recording I preferred to work in top-quality studios, such as Mosfilm or Cinelab Sound Mix.
Software:
Pro Tools Ultimate
iZotope RX Post Production Suite the best software for sound restoration and some great mixing tools
FabFilter – very powerful equalisers, compressors, limiters, etc.
The Cargo Cult – software for panning, delay effects, reconform
Waves Diamond bundle – various useful plugins
Also I use some of Accentize, Audio Ease, Zynaptiq, Soundtoys, PSPaudioware, Melda Production, McDSP, Eventide Audio, Sound Particles, etc. plug ins.
Field Recording
Nevaton MC 59c (Cardioid matched stereo pair) with Rycote ORTF windshield – great small universal microphones.
Sennheiser AMBEO VR Mic with Rycote windshield- my main microphone for ambisonic recordings.
LOM MicroUsi Pro with Bubblebee wind protection and
LOM Geofon – vibration capture
Ultrasonicmic 96k MKII – Ultrasonic mic
Zoom F6 Recorder – 32bit/192kHz 6-channel recorder with ambisonic decoder.
I also rent any professional gear I need: all the microphones (Schoeps, Neumann, Sennheiser, Sanken, Nevaton, DPA and so on) and recorders (Sound Devices, Zaxcom, Aaton etc.) are availible.

WHATS APP, TELEGRAM